8 reviews for Phoenix: Mirage
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$35.00 USD (including tax)
Bring new lush atmospheric dimensions to your productions with Phoenix, an instrument based on a set of smooth synthetic strings and choir samples. It’s perfect for creating wide strings backdrops and ethereal choirs instantly. Phoenix is powered by our sample-based-synthesis engine VST/AU, Mirage (included free). This flexible engine allows you to process the ‘oscillators’ in three separate audio layers, with envelopes, LFOs, filters, and a whole rack of effects.
The result is a sound design tool perfect for creating cinematic pads, keys and basses, and for easy underscoring. Examples of such sounds are included in the 80 production-ready presets that come with the product. These are organised into five categories: basses, keys, leads, pads and sound effects.
|Style||Ambient, Cinematic, Cross-genre|
|Content||Pads, Soundscapes, Strings|
|Format||Mirage Library (VST/AU)|
Smooth synth strings and choirs
The core sounds of this library are six synthetic strings and choirs instruments. These sounds are useful even before processing. Ethereal choirs and lush string pads can be made instantly. However, the three-layer structure of Mirage allows you to take these sounds even further. Complimentary sounds can be layered together and modulated with LFOs and filters, and reverbs can be applied. Using these features, it is easy to create rich textures and soundscapes with movement. But this is by no means the extent of Phoenix’s capabilities.
Keys and bass sounds can also be produced. In the included presets you will find many examples of these types of sounds such as low rumbles, plucky staccatos and clean subs. Phoenix also works excellently when layered with real instruments. The smoothness of the sounds of this product gell superbly with them, enhancing their richness and width.
Powered by Mirage
Mirage is a sample-based-synthesis VST/AU plugin for Windows and Mac that comes free with any powered-by-Mirage product. It’s the control hub for FrozenPlain’s new sounds, offering a powerful set of parameters and effects for rapid, flexible sound design, no matter what the sound source is.
Once it’s opened up in your DAW, you’ll see all of your powered-by-Mirage products ready to click on and use instantly. There’s no subscription or log-in procedure, just instant access to the sounds and presets.
Three independent sound layers can be layered together
Mirage libraries are loaded from a side panel
9 effects can be used to shape the sound
Presets can be quickly loaded and saved
Mirage allows for up to three different sounds to be controlled separately and layered together. The layers in Mirage have the following controls unique to them: pitch, volume and pan, filter, volume envelope, LFO, EQ, sample loop settings and MIDI settings. These controls facilitate an incredible amount of manipulation over the original sound source.
Mirage is set up to make fully playable patches. Sounds will respond to both MIDI velocity and the sustain pedal (MIDI CC 64). On top of that, any parameter in Mirage can be controlled by knobs or sliders on your physical MIDI controller. This is done by simply right-clicking the parameter, selecting ‘MIDI learn’ and then moving your controller. And of course, Mirage can be automated with your DAW.
Mirage is designed to not get in your way. It is fast to load up and is efficient with CPU usage. It has a vector-based GUI that can be resized so that it will work on any size screen. The controls are laid out intuitively, and a full description each control can be viewed by hovering the mouse over it. In the rare case when you need some deeper info, a PDF manual with all of the nitty-gritty details covered is included.
For spontaneous inspiration, Mirage features controls for randomly loading presets and changing parameters. The random preset button has 4 modes for scoping the randomisation to your preferred level, whether that be a folder, a library or the given search text. Parameters can be randomised at various levels too: complete randomisation, just instruments or just the effects rack.
Mirage is simple on the surface, but has depth for complex sound design when you need it. Initially you might start with exploring the ready-to-use factory presets using the presets browser. But from there you can further layer, mangle and modulate the sound to be the perfect fit for your track; Mirage is a powerful tool for creating utterly unique organic instruments.
Built-in effects such as distortion, bit-crush, chorus and stereo widener can be used to enhance the sound with extra harmonics or extra simulated width. The compressor can be used to control dynamics or add punch, and the filter can be used to isolate just the frequencies you need.
Mirage also has reverb and delay effects for real space simulation. These are great for sound design too. One of the reverb effects is a convolution reverb; this is typically used to add a real-sounding reverberation to the signal by using a sample of a real space (AKA an impulse response). Mirage features both realistic impulse responses and abstract ones for creative sound design.
By purchasing this product, or any powered-by-Mirage product, you gain access to updates with new features and improvements. These will almost always be completely free. We will ensure these updates never break backwards compatibility. This means as the capability of Mirage expands, your old DAW projects or presets will still work just like they used to.
If you already have Mirage, you can visit this page to download the latest version. It’s worth noting that Mirage has no use unless you have a Mirage library; in the current version, these can only be made with our internal tools.
You might make use of Phoenix in a film/TV/video game score. A preset such as Shimmering Cavern could be used to create a sense of wonder and beauty. This preset uses three sound layers spread across three octaves. LFOs subtly modulate the volumes of these layers, and a touch of bit-crush distortion is used, resulting in a sound that shimmers in the high frequencies. Similarly to this, there are many other presets included in this product that have an emotional character. This track could be added to by using the Bass Pluck preset with a low pass filter applied to it. This would work excellently as a driving ‘underscore’ element.
Another possible use for Phoenix might be in an ambient track. A preset like Smoothest Pad might be used to play wide-spanning chords, gently transitioning into each other in the background. A Keys preset like Melody Drops could be used on top of this for a distant emotive sounding melody. A Bass preset such as Sub Bass Repeater could be used to fill out the low end, and give drive to the track with its pulsing pattern.
A third possibility might be in a track outside of the ambient or cinematic genres. Phoenix can be used to add character to your electronic/rock/hip hop track. It can be used as something to bring depth to the background or to layer up with your real performances. The various strings presets of Phoenix, in particular, might be useful in these situations. These synthetic strings have a smooth organic sound to them, similar to their real counterparts, but with a softer character. Phoenix might also be useful in writing a breakdown in a track – add atmosphere and a sense of open space – before bringing back the drive of your track
This product was initially created for Kontakt and has now been moved to Mirage. This new version of Phoenix is a reinterpretation of the old samples. We believe this new version is slightly better for rapid sound design and for ease-of-use.
If you’ve already bought Phoenix for Kontakt on frozenplain.com, you can pick up Phoenix for Mirage for only $5. Log into your account on frozenplain.com and visit the Phoenix: Mirage page to see the price change to $5.
The core sound is essentially the same except for the following two changes: the tuning of one of the instruments has been improved, and all samples have been trimmed of unnecessary length. The Kontakt version and the Mirage version are powered by different engines with different architectures; however, the features of each are roughly comparable.
If you own the Kontakt version, you might consider purchasing this new version if you would like to access the Phoenix sounds in Mirage, a new engine that will continue to grow and improve. Mirage is excellent for rapid sound design and ease-of-use. It is also a consistent interface that is used by other FrozenPlain products.
You might also consider the new version if you would like access to the 80 brand new presets. These presets are production-ready. They demonstrate the capabilities of Phoenix are an accessible gateway to mastering your own sound design using this tool.
Phoenix is distributed as a digital download only. It should only take a matter of minutes before you can start using it in your production. FrozenPlain has a streamlined checkout system, you only need to put in essential information. For the first product you buy here, you will be prompted to set a password in order to create an account. All products you buy on this site are added to your account and the latest versions can be re-downloaded at any time.
You can pay for Phoenix with a credit card, debit card, PayPal, or Apple Pay. The payment process is handled by our online reseller Paddle.com. Once payment has been completed successfully you will be able to download Phoenix instantly.
Phoenix is designed to be as accessible as possible to producers, composers, musicians, and sound designers. You probably already have what you need if you are producing audio on a reasonably modern computer. There is one exception – Phoenix is not available in the AAX plugin format yet, and so will not run in Pro Tools. Here are the specific requirements:
Phoenix was previously released as a Kontakt library. This updated version makes use of the same samples in a new engine that is comparable to the Kontakt version. Here’s what people had to say about Phoenix-for-Kontakt on KontaktHub.
★★★★★ – NEED A CHOIR? HERE IT IS!
I am a big fan of Frozen Plain. This instrument is one of my favourites. It gives you ethereal choirs, pads and sounds, that induce a solemn atmosphere in a minute. If you love such stuff, just buy it! – Martin Juenke
★★★★☆ – SUBTLE AND POWERFUL
Perfect ambient/underscore/cinematic instrument to lay a wide, atmospheric basis to your track. The impulse responses and additional FX are top notch as are the instrument sounds! There’s just 6 instrument sounds and it’s basically all choir or orchestral strings, but they’re surprisingly versatile. I’d be completely satisfied if there’d be a brass sound, too. – Marius Schlossbauer
★★★★★ – PAAAAADS
Yeaaah! Pads for everyone. Nice and lush sounding huge pads with different timbres. Very good! – Michael Wiedme
Only logged in customers who have purchased this product may leave a review.
Designed unapologetically for one purpose, Lost Reveries provides you with customisable, playable, ambient-drone synthesis created by an expert of the genre, Hilyard.
It's a sample-based VST/AU synthesiser plugin containing 32 ambient 'oscillators' that can be combined in up to 3 layers: with controls such as ADSR envelopes, filters, LFOs and more. Furthermore, it features a rack of effects including a rich reverb algorithm, delay and a phaser. Lost Reveries also comes with 80 production-ready presets that can be selected from an in-built preset browser.
Lost Reveries lives inside FrozenPlain's sampler engine, called Mirage - which is included for free in the no-hassle installer.
Designed for creating lush, ethereal backdrops and chords: Arctic Strings is a sustained strings instrument that’s housed in our powerful sample-based-synth engine, Mirage (a VST/AU plugin that is included for free). The whole string section was recorded playing long sustained notes both softly and loudly; we turned this into a single, uncomplicated virtual instrument with controllable dynamics. Furthermore, you can shape the sound to fit your track by using Mirage’s features, such as attack, release, reverb, and tuning.
Included are 42 presets featuring both realistic ways of using strings, as well as diverse sound design. This product is the dead-simple solution for adding warm, delicate, atmospheric tones to your track; either by itself or alongside other string libraries.
If you are a Kontakt user, you might consider the Kontakt version of this product.
Organic, alive and earthy – Terracotta is an utterly unique melodic-percussion instrument made from terracotta pots. This instrument’s charming bell-like tones are ideal for adding a tangible vibrancy to percussion sections, arpeggios and melodic lines. It’s powered by our sampled-based-synthesis engine VST/AU, Mirage, which is included for free. This flexible engine has a 3-layer structure for blending sounds as well as all the features you’d expect from a modern synth, such as filters, envelopes and effects.
25 different pots were sampled to make this instrument featuring 4 round robin and 4 velocity layers. As well as this, Terracotta comes with a handful of ‘mixer’ instruments designed to be blended with the main sound. This product also comes with 40 presets for instant production-ready results.
Ever opened a squeaky metal gate and thought, “I want to use that sound in my music”? Well, now you can! Various metal gate squeaks were recorded, cleaned and processed to make this genuinely useful sound-design sample library. Each sample is available as an ‘instrument’ inside our sample-based-synth VST/AU engine, Mirage – included for free. You’ll also find 40 presets, including plucks, pads, basses and leads, ideal for soundtracks, atmosphere or adding a unique edge to any genre. The resonation caused by the gate hinges produced a surprisingly clean and consistent tone – almost similar in character to a cello.
Most of the samples were put through a granular synth to lengthen them. As part of this, it was possible to capture both soft and intense versions of the same sound. You can smoothly modulate between these 2 states using Mirage’s dynamics knob, allowing for expressive performances.
A tool for both realistic music box composition and for intriguing sound design, this VST/AU features a unique set of music box sounds that will expand your sonic palette. Music Box Suite is powered by our VST/AU sample-based synthesis engine, Mirage. This engine houses the 2 multi-sampled music boxes and the complementary set of samples that make up Music Box Suite. Mirage is the ideal playground for these sounds; they can be layered, filtered, tuned and processed to your precise needs. This product comes with 40 production-ready presets ranging from realistic music box instruments to keys and ambient textures.
Music Box Suite is based on the samples from our old Kontakt library, Dual Music Box. Each sample has been re-edited and remastered. New sounds have been added and new presets made. If you own Dual Music Box you can get a discount on this product. See below for details.
Slumberous serene pads, feedbacking tones, and flittering noise-textures: Slow is a customisable sound library of pads and soundscapes inspired by the sound design of pioneering ambient producers. This versatile tool is ideal for creating atmosphere and emotion in your ambient and cinematic music.
Slow is powered by Mirage, our powerful VST/AU sampler engine, which is included for free with this product. Each of Slow’s 63 “oscillators” can be loaded into Mirage’s three layers and processed with envelopes, filters, LFOs and a whole rack of effects. As well as this, there are 100 categorised presets and randomisation tools to find inspiration quickly.
Nightmares, dreams and obscure twisted illusions. In collaboration with Beautiful Void Audio, we bring you Deep Conjuring: a sound-design synthesiser for creating dreamlike instruments. It's ideal for designing beautiful, strange, and otherworldly tones that skirt the edge between sounding organic and synthetic. You'll find it useful for effortlessly adding mood to your music: everything from nostalgic melancholy to harsh horror dread. It's powered by Mirage (VST/AU), our sample-based synthesiser engine; which is included for free. Any of the 92 'instruments' that make up Deep Conjuring can be loaded into Mirage's 3 layers for further processing with features including as envelopes, filters and LFOs, and finally processed using the rack of included master effects.
Take your cinematic music to another level with this vast sample-library collection containing instrument-samples, atmospheres and sound design. All hosted inside FrozenPlain’s sample-based-synth, Mirage (VST/AU included free), which offers outstanding ease-of-access and control over the sounds.
Create horror scores involving jump scares, ominous instrumentation and eerie atmospheres. Take the listener to otherworldly realms with dream-like atmospheres. Design the sonic backdrop for a dystopian setting. Or even craft distorted sci-fi action effects. This library is made in collaboration with expert sound designer, Glitchedtones.
You can also buy each library separately. There’s a discount for buying more at once.
Create realistic music box melodies and explore organic sound design with this free VST/AU. It consists of a multi-sampled victorian music box housed in our sample-based synthesiser, Mirage. This music box has a charming, mysterious sound to it – ideal for both cinematic music and adding an organic character to electronic music. Mirage offers a powerful yet easy-to-use set of features for manipulating the sound. Music Box Suite Free comes with 12 presets ranging from realistic music box sounds to keys and pads.
Alive with evolving kinetic energy, Scenic Vibrations has a unique sound that is perfect for cinematic and atmospheric sound design. Create tension for drama, ambience in an emotional passage and even evoke dread in a horror setting. This customisable tool is based on a set of unique ‘sustain’ recordings by sound design veteran, Si Begg. Materials such as sheets of metal, koto strings, bass guitar strings and suspended steel frames were made to resonate with a surface transducer. The sound is something beautifully organic yet unfamiliar.
Included are over 100 presets featuring intriguing tonal keys, dark pads, basses and pulsing rhythms. Scenic Vibrations is powered by our sample-based synthesis engine, Mirage (included free). The core of Mirage is three layers that can be used to blend sounds together. Each layer has LFOs, filters, a volume envelope, loop controls and more. Then at the master level, there is a whole rack of effects.
Designed for versatile dark ambient and cinematic sound design, Wraith is a synthesiser for pads, drones and synthetic textures. Fill out the background of your production with an expansive pad, or create tension with an atonal drone, or even write a whole underscore sequence using Wraith. This product works inside our sample-based-synthesis VST/AU, Mirage (included free).
Wraith is made up of 230 synthetic instruments combining unsettling textures and drones with tranquil atmospheres. These are arranged into three categories: drones, tonal pads, and textures. This massive collection of instruments range from bleak and dissonant to ethereal and serene. As well as these instruments, any of the 80 included presets can be effortlessly customised using Mirage’s features. With it, you can mix three different layers, apply LFOs, envelopes, filters and a whole rack of effects to create the exact unique sound that you need.
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hirofumi yamaguchi –
Phoenix is perfect ! This sound is exactly what I have wanted for my songs.Thanks to Phoenix, I can make good pads sound easily
This is a great library for quickly coming up with pads and underscoring elements to add size to your arrangements, or add an ambient touch to an otherwise dry mix.
The reverbs included in this library is just tasty too.
Christopher Bright –
If you were to ask me for an example of the smoothest sounding synth strings/pads, my mind would immediately go to Phoenix. Whenever I need that sound, it’s where I turn, and it works every time. And now that Phoenix has been upgraded to the Mirage engine, it’s even better than before!
Lukas Esslinger –
Great sounds with unlimited ways of combination. Super simple design to make every sound possible. In my case the best way for detuned BMTH synth sounds, never seen before so easy doable! Great stand alone tool without the Kontakt Player that I hate 😉
Gordon Clarke –
HATE the way you are pushing in product advertising. If I pay this much for something I expect to be able to use it in peace.
SURE WAY to ensure I buy nothing from you ever again!!!
FrozenPlain – Sam –
In the next update, all available-to-buy products/news will be hidden unless people want to deliberately opt-in to it. EDIT: this has been implemented now.
This is a fantastic instrument for inspiration and just after I downloaded it, came up with something really nice. Would highly recommend!
Great library and sampler
David Hiles –
Pads! synth strings and choirs. Love it. Probably a tie between this and Slow for my favourites