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Scenic Vibrations

(8 customer reviews)

$59.00 USD (including tax)

Picturesque Tonal Resonations Synth

Alive with evolving kinetic energy, Scenic Vibrations has a unique sound that is perfect for cinematic and atmospheric sound design. Create tension for drama, ambience in an emotional passage and even evoke dread in a horror setting. This customisable tool is based on a set of unique ‘sustain’ recordings by sound design veteran, Si Begg. Materials such as sheets of metal, koto strings, bass guitar strings and suspended steel frames were made to resonate with a surface transducer. The sound is something beautifully organic yet unfamiliar.

Included are over 100 presets featuring intriguing tonal keys, dark pads, basses and pulsing rhythms. Scenic Vibrations is powered by our sample-based synthesis engine, Mirage (included free). The core of Mirage is three layers that can be used to blend sounds together. Each layer has LFOs, filters, a volume envelope, loop controls and more. Then at the master level, there is a whole rack of effects.

Style Ambient, Cinematic, Thriller
Content Pads, Soundscapes, Textures, Underscore
Format Mirage Library (VST/AU)

Unique Scenic Sounds

An Organic Synth

The sound of Scenic Vibrations is primarily organic in nature – with intriguing harmonics and natural swells of intensity. But at the same time, it is not wholly familiar to the ear. This dual-character makes Scenic Vibrations fit well with both your synthetic sound design and real instrumentation.

As well as a companion synth, Scenic Vibrations can take the lead too. Melodic lines played with Scenic Vibrations are ear-catching and thoroughly unique sounding.

Surface Transducer

The 30 instruments that make up Scenic Vibrations are created from a set of recordings of metal objects resonating with a surface transducer. Objects such as sheets of metal, koto strings, bass guitar strings and suspended steel frames were used. A surface transducer is a small electronic device that can be placed onto any resonant surface. When a signal is sent to the device, it causes the surface to audibly vibrate and resonate; in essence, turning the object into a speaker. Each sample is roughly 20 seconds long and has been tuned and made into a seamless loop.

Customisable Sound Design

It is easy to create custom sounds or edit presets with Scenic Vibrations. Mirage, the VST/AU engine that powers it, features a three-layer core. On each layer, you can load up one of the 30 instruments and control its volume envelope, EQ, LFO, pitch and much more. By blending together multiple sounds, you can create new timbres. And with the ‘randomise all instruments’ button, you can quickly trial a whole new set of instruments and see what fits in your track.

Sound Design by Si Begg, utilising two decades of experience

Si Begg has been working in the music industry for over two decades. His work recently has been in part on wide-ranging scores for film, TV and trailers, including Netflix show Lovesick. His technical skill and ear for usable sound design shine through in Scenic Vibrations. The sampling, editing and lots of the presets are made by him. Scenic Vibrations already plays a part in his professional work.

Over 100 presets

Scenic Vibrations comes with everything you need for adding production-ready sounds to your track. Just use the preset browser to try some of the included 107 factory presets which were designed my Si Begg and Sam Windell. There are many types of sounds among these. Including suspenseful keys, dark ambiences, fluttering pads and droning bass-pads. Once you find the sound you like, it is possible to further customise it with Mirage’s easy-to-use interface.

See and hear Scenic Vibrations in action

Audio

Forensic Examination – Si Begg
Mirage Demo 2 (Graph Paper Remix) – Si Begg

Powered by Mirage

A free VST/AU control-hub for FrozenPlain sounds

Mirage is a sample-based-synthesis VST/AU plugin for Windows and Mac that comes free with any powered-by-Mirage product. It’s the control hub for FrozenPlain’s new sounds, offering a powerful set of parameters and effects for rapid, flexible sound design, no matter what the sound source is.

Once it’s opened up in your DAW, you’ll see all of your powered-by-Mirage products ready to click on and use instantly. There’s no subscription or log-in procedure, just instant access to the sounds and presets.

Three independent sound layers can be layered together

Mirage libraries are loaded from a side panel

9 effects can be used to shape the sound

Presets can be quickly loaded and saved

Download PDF User Manual

Designed for sound layering

Mirage allows for up to three different sounds to be controlled separately and layered together. The layers in Mirage have the following controls unique to them: pitch, volume and pan, filter, volume envelope, LFO, EQ, sample loop settings and MIDI settings. These controls facilitate an incredible amount of manipulation over the original sound source.

Designed to be played

Mirage is set up to make fully playable patches. Sounds will respond to both MIDI velocity and the sustain pedal (MIDI CC 64). On top of that, any parameter in Mirage can be controlled by knobs or sliders on your physical MIDI controller. This is done by simply right-clicking the parameter, selecting ‘MIDI learn’ and then moving your controller. And of course, Mirage can be automated with your DAW.

Minimum friction from your mind to your DAW

Mirage is designed to not get in your way. It is fast to load up and is efficient with CPU usage. It has a vector-based GUI that can be resized so that it will work on any size screen. The controls are laid out intuitively, and a full description each control can be viewed by hovering the mouse over it. In the rare case when you need some deeper info, a PDF manual with all of the nitty-gritty details covered is included.

Explore new sounds spontaneously

For spontaneous inspiration, Mirage features controls for randomly loading presets and changing parameters. The random preset button has 4 modes for scoping the randomisation to your preferred level, whether that be a folder, a library or the given search text. Parameters can be randomised at various levels too: complete randomisation, just instruments or just the effects rack.

Use presets or design utterly unique patches

Mirage is simple on the surface, but has depth for complex sound design when you need it. Initially you might start with exploring the ready-to-use factory presets using the presets browser. But from there you can further layer, mangle and modulate the sound to be the perfect fit for your track; Mirage is a powerful tool for creating utterly unique organic instruments.

A rack of built-in Effects

Built-in effects such as distortion, bit-crush, chorus and stereo widener can be used to enhance the sound with extra harmonics or extra simulated width. The compressor can be used to control dynamics or add punch, and the filter can be used to isolate just the frequencies you need.

Mirage also has reverb and delay effects for real space simulation. These are great for sound design too. One of the reverb effects is a convolution reverb; this is typically used to add a real-sounding reverberation to the signal by using a sample of a real space (AKA an impulse response). Mirage features both realistic impulse responses and abstract ones for creative sound design.

Access to free updates

By purchasing this product, or any powered-by-Mirage product, you gain access to updates with new features and improvements. These will almost always be completely free. We will ensure these updates never break backwards compatibility. This means as the capability of Mirage expands, your old DAW projects or presets will still work just like they used to.

If you already have Mirage, you can visit this page to download the latest version. It’s worth noting that Mirage has no use unless you have a Mirage library; in the current version, these can only be made with our internal tools.

Mood-board: our visual interpretation of Scenic Vibrations's sound

Instant Download

Scenic Vibrations is distributed as a digital download only. It should only take a matter of minutes before you can start using it in your production. FrozenPlain has a streamlined checkout system, you only need to put in essential information. For the first product you buy here, you will be prompted to set a password in order to create an account. All products you buy on this site are added to your account and the latest versions can be re-downloaded at any time.

You can pay for Scenic Vibrations with a credit card, debit card, PayPal, or Apple Pay. The payment process is handled by our online reseller Paddle.com. Once payment has been completed successfully you will be able to download Scenic Vibrations instantly.

Requirements

Scenic Vibrations is designed to be as accessible as possible to producers, composers, musicians, and sound designers. You probably already have what you need if you are producing audio on a reasonably modern computer. There is one exception – Scenic Vibrations is not available in the AAX plugin format yet, and so will not run in Pro Tools. Here are the specific requirements:

  • Windows: a computer running Windows 7 or higher. Mirage is available as a 64-bit plugin only.
  • Mac: macOS 10.12 or higher. Both Intel chips and M1 chips are supported (universal binary).
  • A host that can play either a VST2 plugin or an AudioUnit v2 (AU) plugin. Examples of such hosts are Cubase, Ableton Live, Studio One, Reaper, Reason, FL Studio, Logic X, Garage Band, and many more. Logic 9 or older does not support AudioUnit v2, and so this product will not work in it.

What's Included

  • 107 presets, saved as separate mirage-scenic-vibrations files
  • Mirage sample-based synthesis engine included
  • Scenic Vibrations Mirage library (closed format mdata file) which features 30 instruments
  • ~77MB file download
Reviews (8)

8 reviews for Scenic Vibrations

  1. Christopher Bright –

    Scenic Vibrations is a great collection of cinematic sounds that excel at creating unique atmospheres. Very usable presets in a variety of moods, including some great dark ambient sounds. If you do any Film/TV work, this library will pay for itself in no time.

    1

  2. Gordon Clarke –

    HATE the way you are pushing in product advertising. If I pay this much for something I expect to be able to use it in peace.

    SURE WAY to ensure I buy nothing from you ever again!!!

    0

    • FrozenPlain – Sam –

      In the next update, all available-to-buy products/news will be hidden unless people want to deliberately opt-in to it. EDIT: this has been implemented now.

      0

  3. Mark Phillips –

    Yes, it is my fault for not reading the fine print but I bought this and only after I bought it did I read that it doesn’t have an AAX version. I think it’s a little hidden in all the text about the plugin but you could easily say it’s there and it’s my fault for not seeing it. To that I would say, I’ve bought 1000s of plugins in my day and this is the first time I bought one that I couldn’t use. So maybe the plugin is great but be warned — you can’t use it in Pro Tools. So it was a waste of money for me.

    0

    • FrozenPlain – Sam –

      Happy to give a refund for those who can’t use it. I’ve sent you an email.

      0

  4. David –

    This is an excellent library. If you need some new atmospheres, this is a no brainer for the price. Ignore those other two totally unfair 1-star reviews.

    1

  5. jshainoff –

    I listened to Davis and Ignored the other two reviews and I am so glad I did. I Absolutely loved this plugin!!! I actually can’t stop messing around with it, as it really gets my imagination and creativity flowing! I would also like to send a big ‘Thank You!’ to Sam for assisting me when I needed some help. Customer Service also receives 5 stars!

    0

  6. Jeremiah Warner –

    Great sounds, hopefully my purchase is fruitful and I can get more of the libraries quickly. It’s very quick to get a cinematic sound, pad, hit, texture etc…something that can take a long time and this instrument does it quickly. Hopefully Frozen Plain continues to work on Mirage way into the future.

    0

  7. David Hiles –

    Great variety of sounds that stand out in the mix or blend in for variations. Really nice to use. Uncluttered and let you focus on what’s being made rather than menu diving.

    0

  8. oldersound –

    It is the perfect complement for any situation with an orchestra, a piano or just him.

    0

Only logged in customers who have purchased this product may leave a review.

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